Поиск по заголовкам произведений. Cлово "THREE". Классическая русская литература.

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Часть текста: wounded man or one who has undergone some terrible physical suffering. His brows were knitted, his lips compressed, his eyes feverish. He spoke little and reluctantly, as though performing a duty, and there was a restlessness in his movements. He only wanted a sling on his arm or a bandage on his finger to complete the impression of a man with a painful abscess or a broken arm. The pale, sombre face lighted up for a moment when his mother and sister entered, but this only gave it a look of more intense suffering, in place of its listless dejection. The light soon died away, but the look of suffering remained, and Zossimov, watching and studying his patient with all the zest of a young doctor beginning to practise, noticed in him no joy at the arrival of his mother and sister, but a sort of bitter, hidden determination to bear another hour or two of inevitable torture. He saw later that almost every word of the following conversation seemed to touch on some sore place and irritate it. But at the same time he marvelled at the power of controlling himself and hiding...

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Часть текста: hadn't. But if he had not been yet, would he go? Meanwhile, for the present he fancied he couldn't. Why? He could not have explained, but if he could, he would not have wasted much thought over it at the moment. It all worried him and at the same time he could not attend to it. Strange to say, none would have believed it perhaps, but he only felt a faint vague anxiety about his immediate future. Another, much more important anxiety tormented him- it concerned himself, but in a different, more vital way. Moreover, he was conscious of immense moral fatigue, though his mind was working better that morning than it had done of late. And was it worth while, after all that had happened, to contend with these new trivial difficulties? Was it worth while, for instance, to manoeuvre that Svidrigailov should not go to Porfiry's? Was it worth while to investigate, to ascertain the facts, to waste time over any one like Svidrigailov? Oh how sick he was of it all! And yet he was hastening to Svidrigailov; could he be expecting something new from him, information, or means of escape? Men will catch at straws! Was it destiny or some instinct bringing them together? Perhaps it was only fatigue, despair; perhaps it was not Svidrigailov but some other whom he needed, and Svidrigailov had simply presented himself by chance. Sonia? But what should he go to Sonia for now? To beg her tears...

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Часть текста: thus every evening to kill time?” 8 “Not in the least.” “I cannot understand. From here I see what it is like: first — listen, am I right? — a simple Russian family, 12 a great solicitude for guests, jam, never-ending talk of rain, of flax, of cattle yard.” II “So far I do not see what's bad about it.” “Ah, but the boredom — that is bad, my friend.” “Your fashionable world I hate; 4 dearer to me is the domestic circle in which I can…” “Again an eclogue! Ah, that will do, old boy, for goodness' sake. Well, so you're off; I'm very sorry. 8 Oh, Lenski, listen — is there any way for me to see this Phyllis, subject of thoughts, and pen, and tears, and rhymes, et cetera? 12 Present me.” “You are joking.” “No.” “I'd gladly.” “When?” “Now, if you like. They will be eager to receive us.” III “Let's go.” And off the two friends drove; they have arrived; on them are lavished the sometimes onerous attentions 4 of hospitable ancientry. The ritual of the treat is...

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Часть текста: Part four. Chapter Three Chapter Three THE FACT was that up to the last moment he had never expected such an ending; he had been overbearing to the last degree, never dreaming that two destitute and defenceless women could escape from his control. This conviction was strengthened by his vanity and conceit, a conceit to the point of fatuity. Pyotr Petrovitch, who had made his way up from insignificance, was morbidly given to self-admiration, had the highest opinion of his intelligence and capacities, and sometimes even gloated in solitude over his image in the glass. But what he loved and valued above all was the money he had amassed by his labour, and by all sorts of devices: that money made him the equal of all who had been his superiors. When he had bitterly reminded Dounia that he had decided to take her in spite of evil report, Pyotr Petrovitch had spoken with perfect sincerity and had, indeed, felt genuinely indignant at such "black ingratitude." And yet, when he made Dounia his offer, he was fully aware of the groundlessness of all the gossip. The story had been everywhere contradicted by Marfa Petrovna, and was by then disbelieved by all the townspeople, who were warm in Dounia'a defence. And he would not have denied that he knew all that at the time. Yet he still thought highly of his own resolution in lifting Dounia to his level and regarded it as something heroic. In speaking of it to Dounia, he had let out the secret...

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Часть текста: seemed to know very well, though he could not remember who he was, and this fretted him, even made him cry. Sometimes he fancied he had been lying there a month; at other times it all seemed part of the same day. But of that- of that he had no recollection, and yet every minute he felt that he had forgotten something he ought to remember. He worried and tormented himself trying to remember, moaned, flew into a rage, or sank into awful, intolerable terror. Then he struggled to get up, would have run away, but some one always prevented him by force, and he sank back into impotence and forgetfulness. At last he returned to complete consciousness. It happened at ten o'clock in the morning. On fine days the sun shone into the room at that hour, throwing a streak of light on the right wall and the corner near the door. Nastasya was standing beside him with another person, a complete stranger, who was looking at him very inquisitively. He was a young man with a beard, wearing a full, short-waisted coat, and looked like a messenger. The landlady was peeping in at the half-opened door. Raskolnikov sat up. "Who is this, Nastasya?" he asked, pointing to the young man. "I say, he's himself again!" she said. "He is himself," echoed the man. Concluding that he had returned to his senses, the landlady closed the door and disappeared. She was always shy and dreaded conversations or discussions. She was a woman of forty, not at all bad-looking, fat and buxom, with black eyes and ...

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Часть текста: and Punishment (English. Преступление и наказание). Part three. Chapter Six Chapter Six "I DON'T BELIEVE it, I can't believe it!" repeated Razumihin, trying in perplexity to refute Raskolnikov's arguments. They were by now approaching Bakaleyev's lodgings, where Pulcheria Alexandrovna and Dounia had been expecting them a long while. Razumihin kept stopping on the way in the heat of discussion, confused and excited by the very fact that they were for the first time speaking openly about it. "Don't believe it, then!" answered Raskolnikov, with a cold, careless smile. "You were noticing nothing as usual, but I was weighing every word." "You are suspicious. That is why you weighed their words... h'm... Certainly, I agree, Porfiry's tone was rather strange, and still more that wretch Zametov!... You are right, there was something about him- but why? Why?" "He has changed his mind since last night." "Quite the contrary! If they had that brainless idea, they would do their utmost to hide it, and conceal their cards, so as to catch you afterwards.... But it was all impudent and careless." "If they had had facts- I mean, real facts- or at least...

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Часть текста: cares and difficulties bequeathed him by that "thrice accursed yesterday." The most awful recollection of the previous day was the way he had shown himself "base and mean," not only because he had been drunk, but because he had taken advantage of the young girl's position to abuse her fiance in his stupid jealousy, knowing nothing of their mutual relations and obligations and next to nothing of the man himself. And what right had he to criticise him in that hasty and unguarded manner? Who had asked for his opinion! Was it thinkable that such a creature as Avdotya Romanovna would be marrying an unworthy man for money? So there must be something in him. The lodgings? But after all how could he know the character of the lodgings? He was furnishing a flat... Foo, how despicable it all was! And what justification was it that he was drunk? Such a stupid excuse was even more degrading! In wine is truth, and the truth had all come out, "that is, all the uncleanness of his coarse and envious heart!" And would such a dream ever be permissible to him, Razumihin? What was he beside such a girl- he, the drunken noisy braggart of last night? "Was it possible to imagine so absurd and cynical a juxtaposition?" Razumihin blushed desperately at the very idea and suddenly the recollection forced itself vividly upon him of how he had said last night on the stairs that the landlady would be jealous of Avdotya Romanovna... that was simply intolerable. He brought his fist down heavily on the kitchen stove, hurt his hand and sent one of the bricks flying. "Of course," he muttered to himself a minute later with a feeling of self-abasement, "of course, all these infamies can never be wiped out or smoothed over... and so it's useless even to think of it, and I must go to them in silence and do my duty... in silence, too.... and not ask forgiveness, and say nothing... for all is lost now!" And yet as ...

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Часть текста: could no longer control himself: his stifled laughter broke out the more irresistibly the more he tried to restrain it. The extraordinary ferocity with which Razumihin received this "spontaneous" mirth gave the whole scene the appearance of most genuine fun and naturalness. Razumihin strengthened this impression as though on purpose. "Fool! You fiend," he roared, waving his arm which at once struck a little round table with an empty tea-glass on it. Everything was sent flying and crashing. "But why break chairs, gentlemen? You know it's a loss to the Crown," Porfiry Petrovitch quoted gaily. Raskolnikov was still laughing, with his hand in Porfiry Petrovitch's, but anxious not to overdo it, awaited the right moment to put a natural end to it. Razumihin, completely put to confusion by upsetting the table and smashing the glass, gazed gloomily at the fragments, cursed and turned sharply to the window where he stood looking out with his back to the company with a fiercely scowling countenance, seeing nothing. Porfiry Petrovitch laughed and was ready to go on laughing, but obviously looked for explanations. Zametov had been sitting ...

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Часть текста: I settled on the pedestrian choice above. Engaging in verbal legerdemain while speaking of Nabokov is a perilous and perhaps foolhardy undertaking, given his own multilingual mastery over words--one might compare it to beginning a talk on Nijinsky by stepping from behind the lectern to attempt a jeté or two. While much, indeed too much, has been written about Nabokov's English novels, much less has been said about his earliest Russian fiction. It is to this I must now turn. My editor has chided me for diverging too frequently and too widely from my subject--but what is a life if not a series of diversions from some hidden, ineffable theme? Mashen'ka opens with the tongue-twisting name and patronymic of the protagonist Ganin, Lev Glebovich, which, complains the character Alferov, "iazyk vyzvikhnut' mozhno" (7). Instantly we are made aware of the potential treachery of words. With Alferov's statement a few paragraphs later that "vsiakoe imia obiazyvaet," we are also reminded of their power. The first stylistic glimmer of the mature Nabokov, which comes after the brief dialogue between Ganin and Alferov of which chapter one wholly consists, is the sequence "i bubliki, i brilliantin i prosto brillianty" (17-18) a harbinger of such later alliterative lists as "the brook and the boughs and the beauty of the Beyond" 1 and "glacial drifts, drumlins, and gremlins, and kremlins." 2 In the sentence "Tak meshalis' v nem chustvo chesti i chustvo zhalosti, otumanivaia tvorcheskie podvigi, na vsiakii trud, i prinimaiushchagosia za etot trud zhadno, s okhotoi, s radostnym namereniem vse odolet' i vsego dostich'," (33) we are struck by the phrase's musicality and especially by the aptness of the final "dostich'"--chosen in preference to ...

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Часть текста: short the flow of warm and incoherent consolations he was addressing to his mother and sister, took them both by the hand and for a minute or two gazed from one to the other without speaking. His mother was alarmed by his expression. It revealed an emotion agonisingly poignant, and at the same time something immovable, almost insane. Pulcheria Alexandrovna began to cry. Avdotya Romanovna was pale; her hand trembled in her brother's. "Go home... with him," he said in a broken voice, pointing to Razumihin, "good-bye till to-morrow; to-morrow everything... Is it long since you arrived?" "This evening, Rodya," answered Pulcheria Alexandrovna, "the train was awfully late. But, Rodya, nothing would induce me to leave you now! I will spend the night here, near you..." "Don't torture me!" he said with a gesture of irritation. "I will stay with him," cried Razumihin, "I won't leave him for a moment. Bother all my visitors! Let them rage to their hearts' content! My uncle is presiding there." "How, how can I thank you!" Pulcheria Alexandrovna was beginning, once more pressing Razumihin's hands, but Raskolnikov interrupted her again. "I can't have it! I can't have it!" he repeated irritably, "don't worry me! Enough, go away... I can't stand it!" "Come, mamma, come out of the room at least for a minute,"...

Поиск по заголовкам произведенийCлово "THREE"

Поиск по заголовкам произведений
Cлово "THREE"